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| | From : | | • Earth | | Musical Style : | | • Symphonic Electronica, Ambient, Film Music, Soundscaping | | Musical Influences : | | • Angelo Badalamenti, Eduard Artemyev, Michael Danna, Brian Eno, Future Sound of London (FSOL), Lisa Gerrhard, Elliot Goldenthal, Jerry Goldsmith, Ennio Morricone, Howard Shore, Vangelis | | Brief Description : | | • no beats, verse or chorus | | Artist History : | | • 1995 Short Video Productions (film music)
1996 Sampling combined with midi-music
1998 Samples only, chord patterns, ambient, industrial, film music
1999 Fluid soundscapes, sound design, ambient, industrial, film music |
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| | Press Reviews | | SPROOK | THE MUSIC | With his synthesiser, Matthew Florianz has created a soundscape in which two elements rule: light and darkness.
With simple gestures he keeps the music flowing, giving you the opportunity to sit back, close you eyes and let the imagination flow.
How would you define the soundscape unfolding? Land, sea, infinite space ... ?
The creator sets but one ground rule: it is dark and light fights for its place.
Until the last track the light fights for its place. But when the | | Good things people say about Matthew Florianz | | Liquid Morphine coaxes you to go inside yourself and explore what is there.
If anyone were able to use a paintbrush to convey sound, then this is the aural passion and bliss one would see.
Turn the lights down, put on headphones, and become immersed in this sound.
Ambience is a term that does no justice here.
This music is life.
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| The Valley of Shadows | | The Valley of Shadows | Review Count: 0 |
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